One can observe that the creature has one closed eye with several eyelashes, suggesting that the creature is also in a dream state. The creature seems to be based on a figure from the Paradise section of Hieronymus Bosch’s The Garden of Earthly Delights. ![]() It is possible to recognize a human figure in the middle of the composition, in the strange “monster” that Dalí used in several contemporary pieces to represent himself, the abstract form becoming something of a self-portrait, reappearing frequently in his work. This interpretation suggests that Dalí was incorporating an understanding of the world, introduced by Albert Einstein’s theory of special relativity. The soft watches are an unconscious symbol of the relativity of space and time, a surrealist meditation on the collapse of our notions of a fixed cosmic order." It epitomizes Dalí’s theory of “softness” and “hardness”, which was central to his thinking at the time. ![]() The well-known surrealist piece introduced the image of the soft melting pocket watch. Salvador Dali tags: reality-dreams 193 likes Like It is not necessary for the public to know whether I am joking or whether I am serious, just as it is not necessary for me to know it myself. It is widely recognized and frequently referenced in popular culture, and sometimes referred to by more descriptive titles, such as “Melting Clocks”, “The Soft Watches” or “The Melting Watches”. One day it will have to be officially admitted that what we have christened reality is an even greater illusion than the world of dreams. First shown at the Julien Levy Gallery in 1932, since 1934 the painting has been in the collection of the Museum of Modern Art in New York City, which received it from an anonymous donor. It too could depict transition or decay.“The Persistence of Memory” is a 1931 painting by artist Salvador Dalí, and one of the most recognizable works of surrealism. In a similar fashion, the desert could have been something else before the clocks melted, just like the rumpled, leaf-less olive tree which seems to be growing out of a bare platform instead of earth. The Persistence of Memory Salvador Dali Original Title: La persistencia de la memoria Date: 1931 Style: Surrealism Period: Surrealism Period (1929-1940) Genre: symbolic painting Media: oil, canvas Location: Museum of Modern Art (MoMA), New York City, NY, US Dimensions: 24. The surmise can further be consolidated by ‘the ants’ which seem gorging upon the red clock, one of the decaying clocks. Dali blurs the lines between reality and fantasy by melting various objects in the painting. The melting of the clocks can very conveniently signify the decaying nature of time, what is today doesn’t remain tomorrow. The Persistence of Memory, 1931 The Persistence of Memory is an incredibly unique painting. The clocks are not round and seem to be melting. The most striking feature of the painting are the four clocks in the midst of a desert. The painting has a background of a seaside in Catalonia(Dali’s hometown), near port Llighat. The painting is supposed to have been an impression of the painters dreaming state. The painting is apotheosis of the surreal art, depicting what Dali called ‘hand painted dream photograph’. The painting was his signature work - the audience went mad for him when ‘The Persistence of Memory’ appeared at the Julien Levy Gallery in New York City in 1932. ‘The persistence of memory’ by Salvador Dali, the Spanish eccentric. Re-interpretation of ‘Persistance of Memory’ by Salvador Dali
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